Sunpride Articles

Loo Zihan | A meticulous investigation into history, memory and identity by re-enactment and re-creation

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“In my moving image practice, I explore the politics of reconstructing a moment of personal trauma and shame. My performance work investigates the performing body and its relationship to the…

Ellen Pau | From Song of the Goddess (1992) to 52Hz (2022), reviewing the milestone of Hong Kong queer history

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“Video records your growth and dreams. The maker/author of a movie exists as a transparent being, external to the images. However, the maker/author of a video becomes part of, or…

Shu Lea Cheang | Interrogating the distance between punishment and pleasure, surveillance and lust

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‘When we start using this term “gender fluid”… in a way, I really want to have this kind of switchable gender. At the moment, a lot of people are trying…

Joshua Serafin | Unpacking codes of representation and performativity from pageant competitions

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“Dance, for me, has become a platform to tackle and materialize all of the ideas I’m interested in. But it’s also a two-way relationship — while dancing gives me this…

Sornchai Phongsa | Revisiting the relationship between the self and family belief system

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“I start to work on a theme of MON ethnic minority groups in South East Asia, focusing on Animism because this topic is related to my family belief system, It’s…

Tseng Kwong Chi | A Flâneur living between the East and the West

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“I am an inquisitive traveler, a witness of my time, and an ambiguous ambassador” — Tseng Kwong Chi Tseng Kwong Chi, “New York, NY (World Trade Center)”, 1979 | Image…

Trevor Yeung | Projecting emotional and intellectual scenarios on biological substitutes

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“Intimacy is important in my artworks. And not only intimacy between the audience and the artworks, but also between myself and the material. Some artists spend 15 years studying colour.…

Yan Xing | Shaping a richer self

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‘I have very specific requirements for how to “frame” my own work. I want to control the audience’s experience. This is my public rejection of audience engagement. The viewer can…

Zheng Bo | The forest as a queer assembly in a more-than-human form

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“I think when I started working with plants I did use them as metaphors. But as you probably can sense, as I learned more about their life, I’m trying to…