“In my moving image practice, I explore the politics of reconstructing a moment of personal trauma and shame. My performance work investigates the performing body and its relationship to the…
“Video records your growth and dreams. The maker/author of a movie exists as a transparent being, external to the images. However, the maker/author of a video becomes part of, or…
‘When we start using this term “gender fluid”… in a way, I really want to have this kind of switchable gender. At the moment, a lot of people are trying…
“Dance, for me, has become a platform to tackle and materialize all of the ideas I’m interested in. But it’s also a two-way relationship — while dancing gives me this…
“I start to work on a theme of MON ethnic minority groups in South East Asia, focusing on Animism because this topic is related to my family belief system, It’s…
“I am an inquisitive traveler, a witness of my time, and an ambiguous ambassador” — Tseng Kwong Chi Tseng Kwong Chi, “New York, NY (World Trade Center)”, 1979 | Image…
“I explore love in my work. Love is what matters — love for each other and the love that we pour into the art we feel compelled to share. We…
“Intimacy is important in my artworks. And not only intimacy between the audience and the artworks, but also between myself and the material. Some artists spend 15 years studying colour.…
‘I have very specific requirements for how to “frame” my own work. I want to control the audience’s experience. This is my public rejection of audience engagement. The viewer can…
“I think when I started working with plants I did use them as metaphors. But as you probably can sense, as I learned more about their life, I’m trying to…