Sunpride Articles

Jun-Jieh Wang | Self-gaze about ‘love and death’

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‘At this time (pandemic), we may be able to make reflections on our previous practices, thinking about the new possibilities and new actions in art under globalization. I think this…

Isaac Julien | Reconnecting the past and the present by conserving and restoring the images of “Looking for Langston”

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“One of the things which I’ve been involved in at the studio is working on my archive and that entails us going back to early works and trying to think…

Christopher Cheung | Extending visual imaginations by autobiographical paintings of hyperrealism

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“There is an old saying that life is always like a play, but life does not allow rehearsals. It is impossible to edit the plot and change the roles, time…

David Wojnarowicz | Je est un autre (I is Somebody Else)

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“I want to make somebody feel less alienated — that’s the most meaningful thing to me. I think part of what informs the book is the pain of having grown…

Peter Hujar | The portrait sitters in his black and white photography are the people who dare

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“My work comes out of my life. The people I photograph are not freaks or curiosities to me. I like people who dare. I want to be discussed in hushed…

Jimmy Ong | Representing diverse families by large-scale charcoal drawings

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“The last one was a lengthy full page feature in 2011 about my family. Details about my domestic life as a gay spouse in the USA was omitted, such that…

Tony Albert | Invisible is my favorite color

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“I don’t fight for anything but I stand for many things, one of them is art. Art has the ability to: heal; transcend culture, age and language; change the way…

Wang Haiyang | A tiny dust in the world

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“I am not sensitive to formal things but I am better at emotional things. Therefore, I chose to ‘tend to what to paint’, a kind of direct way of emotional…

Guanyu Xu | Queering his childhood home by photo installations

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“My home and the images I was exposed to influenced my desire and made me the person I am today, in releasing that history and releasing those archives, I can…

Ramesh Mario Nithiyendran | The Art of “Bad Boy of Ceramics”

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“Clay, symbolically and materially, has a semblance to flesh — that’s what drew me to the material. Ceramics is very technical, but it can be very democratic. If you make…