“I am not sensitive to formal things but I am better at emotional things. Therefore, I chose to ‘tend to what to paint’, a kind of direct way of emotional…
“My home and the images I was exposed to influenced my desire and made me the person I am today, in releasing that history and releasing those archives, I can…
“Clay, symbolically and materially, has a semblance to flesh — that’s what drew me to the material. Ceramics is very technical, but it can be very democratic. If you make…
‘Sound is a sculptural presence which is entirely contingent on form, time, geometry and space. If you look at objects from an acoustic perspective, they can start to reveal things…
“I used to exhibit my work in galleries, but an exhibition is limited by the location and visited by so many people. For me, the printed medium is like a…
“I knew I wanted to paint very early on – painting was my secret garden. My art was an escape out of Heterosoc, and for me to use the word…
“In general I like art that is capable of organizing a space of perpetual and indefinite accumulation of time and language and image in an immobile place.” — Ugo Rondinone…
“I want to use a kind of individual perspective to get to the society and era, and try to show the appearance of human existence. I want to discuss the…
“I wanted something that told a good story in a portrait. Portraiture allowed me to keep my voice. I think my work is stronger when I have a point of…
