“We are tired of portrayals of our community by mainstream society that are homonormalised, overly positive or pitiful. We just have to be honest and blunt, whether the truth is…
“In my moving image practice, I explore the politics of reconstructing a moment of personal trauma and shame. My performance work investigates the performing body and its relationship to the…
“I think dreams are really important as a means of escape, and to discover a new reality. It’s a way for us to process information. It’s similar to the way…
“Video records your growth and dreams. The maker/author of a movie exists as a transparent being, external to the images. However, the maker/author of a video becomes part of, or…
‘When we start using this term “gender fluid”… in a way, I really want to have this kind of switchable gender. At the moment, a lot of people are trying…
“Dance, for me, has become a platform to tackle and materialize all of the ideas I’m interested in. But it’s also a two-way relationship — while dancing gives me this…
“I start to work on a theme of MON ethnic minority groups in South East Asia, focusing on Animism because this topic is related to my family belief system, It’s…
“I am an inquisitive traveler, a witness of my time, and an ambiguous ambassador” — Tseng Kwong Chi Tseng Kwong Chi, “New York, NY (World Trade Center)”, 1979 | Image…
‘I have very specific requirements for how to “frame” my own work. I want to control the audience’s experience. This is my public rejection of audience engagement. The viewer can…
“At that time in the village, if you dared to come out, you would be scolded by the whole family and could not live there anymore. I would love to…